Street Photography


Comments

Post a Comment

Popular posts from this blog

The Photograph as Contemporary Art: Chapter 3 Response

   Chapter 3, 'Deadpan', explores a photographic aesthetic which is significantly less dramatic and much more literal than the photography present in the previous chapters. Deadpan, as a style of photography, is more concerned with the subject itself rather than a photographer's subjective vision of said subject. The majority of these photographs are printed very large in order to highlight the clarity of the images and make an impact on the viewer.    One deadpan photographer that stood out to me in this chapter was Dan Holdsworth, who specializes in photographing "liminal spaces", or areas that exist in a limbo between the ambiguous and familiarity. Holdworth accomplishes this by setting up his camera for long exposures at night so that he can capture the lights of cars and streetlights as a luminescent landscape. His photograph Untitled (A machine for living) in particular captures something that could not be seen by a human, but still incorporates enough fam...
Read more

The Photograph as Contemporary Art: Chapter 5 Response

   Chapter 5, 'Intimate Life', showcases contemporary photography that acts as a diary of personal relationships and emotional intimacy. While some of these photographs seem casual and amateur, the theory and thoughts behind them are anything but an accident. The majority of these photos double as character studies and they perfectly encapsulate the Decisive Moment as Henri Cartier-Bresson would describe it.    Somehow, it is through the intimate and imperfect moments captured that intimate life photography is able to tell a raw and vulnerable story. I was really happy to see Nan Goldin's work explored in the text, especially her series that explored drag queens and the underground culture of the time. These photographs, especially at the time, were a window into the lives of those who were marginalized and most likely not common to those living in suburbia. In the same vein, Yang Yong is a photographer that is able to convey emotions and attitudes by photographin...
Read more

The Photograph as Contemporary Art: Chapter 4 Response

   Virtually anything can become the subject of a great photograph, and the artists in Chapter 4, 'Something and Nothing', make a point to prove that. Through presenting seemingly mundane objects in a purposeful and unique way, contemporary photographers have been able to transform the objects and places we pay little attention to everyday into extraordinary subjects and conceptual art. Everything can be photographed, and most everything can be made interesting and engaging through shifts in scale, point of view, and composition.    Wolfgang Tillmans is one such photographer who is able to create a relationship between the ordinary subject and the artist. Specifically, Tilmmans' Suit, 1997 is a photograph of clothing draping against a plain background. The abandoned clothing becomes very reminiscent of a sculpture which still holds the imprint of the person wearing it before. Although we may see articles of clothing not being worn like this everyday, the subject of...
Read more